Throughout history, scholars have designated times of great literary flourish. These times include but are not limited to the Romantic Era, the Victorian Era, the Lost Generation, and the Beatniks. Each time is characterized by particular literary characteristics. For example the Victorians were concerned in part with social manners. Thus writers like Jane Austen represent this type of concern.
To understand a particular literary time, it is important to immerse oneself in as much of the writing as possible. A careful reader will consider the history of the time period from all angles: social, intellectual, and governmental. Importantly, study the literary criticism of the time. Learn as much as possible about those writers who studied the act of writing. For example, during the Victorian Era, one may study the writings of Matthew Arnold.
Once a solid understanding of the culture/history and the literary criticism of the time has been ascertained, then embark on reading the actual literary art -- the novelists, poets, and dramatists of the era. Read the writers that other writers mention. For example, Fitzgerald and Hemingway referred to each other since they were friends. In following this plan, the reader will come to a clear understanding of the issues important to the writers/thinkers of that era.
In a book group, one member may research the history, one may find the literary critics, and another may collect a list of the major writers. At the next club meeting, present the findings, and enjoy the experience of reliving another time.
Happy Reading!
Sunday, August 25, 2013
Wednesday, August 7, 2013
Improving Your Book Club With Literary Criticism
When a book club becomes a wine and cheese party with very
little book talk, the serious bibliophile may feel unfulfilled. Now, I’m not bashing these kinds of
clubs. It’s wonderful to bond with
others over good food. But if talking
about literature is your passion, then you will want to consider finding like
minds to share the joy of analyzing a book inside and out. Structuring the club to talk intelligently
about a work requires a basic knowledge of literary criticism.
Historically, book critics have explored the depths of great
literature using various approaches.
Think of the approaches as colored glasses. When we wear a blue lens, the world takes on
an azure hue. If we put on rose-colored
ones, the same view is tinged in pink. A book
can be read by changing the lenses to show us the essence of a work's artistic merit.
The Lenses of
Literary Criticism:
Traditional approach
Initially, readers looked at the historic context from which
the work sprung as well as the biography of the author, spending little time
analyzing the work beyond the basics of theme, plot, setting, etc. The New Critics, who challenged this
perspective, stated a work must be analyzed at the text level as art too. Thus, a work is criticized for its word play
and moral/historical expression as well.
To practice this approach, consider the author’s biography and the
historical moment in which the piece was written. How do these affect your understanding of the
story? Which turns of phrases and images
bring the most joy? What makes each
image a work of art, rather than a simply expression of plot?
The search for structure is at the heart of this critical
lens. The Formalists look for “internal
relationships [that] gradually reveal form…when all the words, phrases,
metaphors, images, and symbols are examined in terms of each other” (Guerin et
al). This approach may lend itself more
readily to poetry, but can be applied to the novel as well. How do the words reveal the genre’s
form? What do repetitions of ideas
reveal about the architecture of the plot?
Psychological
The Psychological approach is fairly obvious – the reader will examine what makes the characters tick. Yet it is the psychoanalysis of Freud that is used in this approach. One must understand Freud’s concepts of the Id, Ego, and Super Ego to practice this approach as it was conceived. Guerin and his colleagues caution the careful reader of over-analyzing and becoming an arm chair psychologist. Understanding the Freudian motivation of the characters in a story is interesting but not the only psychological theory to consider given current psychoanalytic thought. Yet it is fun to try and guess the motivation of the characters and useful in understanding why characters make the choices they do.
Mythological and Archetypical
The reader may also approach a work from the Mythological and Archetypical
perspective. All cultures have myths,
legends, and stereotypes of the warrior, the scapegoat, or the damsel in
distress among others. We also associate
colors with various cultural beliefs.
For example, we believe white stands for purity and innocence while red
is for passion. By examining a work from
this perspective, the reader will look for these types, and how these various
elements affect the characters and plot.
Google “archetypes” or “motifs” in literature and you’ll find lists of
them. Guerin and company provide a
comprehensive list of the most commonly used archetypes. Ask why particular types are used? What bearing do these have on the theme?
Feminist
The Feminist
approach is a study of the female characters, as well as the power play between
men and women in the story. Issues of
the accuracy of female portrayal by male authors, and the traditional female
roles as opposed to the more modern circumstances of the female experience can
be part of a reader’s discussion. Explore the totality
of the female experience as expressed in the work.
Cultural Studies
In approaching a work via the Cultural Studies lens, the reader is looking at the ways various
cultures are portrayed in the work. It
looks at stereotypes, yet also looks at the social interaction of cultures and
the characters’ experience of culture.
Defining what a culture is poses a problem in this approach. Various
factors create culture, so the careful reader will need to determine what the
culture is prior to discussion.
Reader Response
Starting Your Literary Analysis
To improve your club’s discussion you will want to use the
literary criticism explained here. Your
club may decide to divide the focus, having one member become an “expert” in
the Psychological approach, while another starts a discussion of the Feminist
approach. Make a game of it. Draw the various approaches from a hat and
have a member give his or her opinion in 2 minutes or less. Or you might decide to look only at the
Traditional approach for that month. Don’t ever try to force a particular
reading of the text just to say you covered all the approaches. Some things just aren’t in every text.
Always remember, it is necessary to find art. Choose great pieces of literature – not Fifty
Shades of Gray – that have depth to them.
I always recommend the classics, but there are modern authors who write
equally beautiful work. Think of The
Kite Runner or The Life of Pi. Amidst
the various offerings these days on the book shelves of your favorite purveyor
of literature, you can find gems that express some of the more quintessential
qualities of the human spirit. Use the
LA and New York Times Book Reviews to help you isolate potential books. Book review blogs that focus on great
literature and Goodreads’ groups dedicated to the classics will help you select
juicy pieces. Happy reading!
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